Almenaras del Muro de Adriano, por Ron Embleton Teutonic Charge by…: chetvergvecher

Almenaras del Muro de Adriano, por Ron Embleton

Teutonic Charge by jasonseow

Guerrero vándalo, por Angus McBride

Roman soldiers picked up by their military police after a wild night on the town. Probably 5th century AD

Soldiers of the Roman Empire fighting in northern Europe. Much like US soldiers today they bring peace and joy to other peoples around the world and faced ignorant insurgents who prefer freedom to being controlled by outsiders. The fallen man up close is a Legionary, the others are auxiliary troops. Painting by Angus McBride

Vandals by Angus McBride

Ataque nocturno en Epipolai durante la campaña ateniense en Siracusa

Centurión cesariano durante la batalla de Farsalia, por Radu Oltean

Greetings, Beloved France, Bogdan Willewalde,1898. De retour au pays…

От http://shakypigment.tumblr.com/

Eddie Campbell: Eddie Campbell’s Bacchus #6 cover original art (1995)

Original X-Men by Paolo Rivera

Ghost Rider #13 cover by Gabriele Dell’Otto

Scarecrow by John Byrne. 1975

Mike Deodato, Jr. ~ Avengers Icons: Tigra The top is a promo PinUp, followed by the covers of #s 1-4

Shanna, the She-Devil by Dave Johnson #WomenofMarvel

New Mutants #12 by Adi Granov

G.I. Robot by Francesco Francavilla

Three images from Paul Gulacy’s Black Widow portfolio, 1982

A preview of Magneto #6, with cover art by Declan Shalvey

Sam & Twitch by Ashley Wood (from Sam & Twitch #22)

Bill Sienkiewiicz 1986: Elektra: Assassin #3 I wanted to paint Elektra: Assassin at all costs. I wanted to do it so badly, that the rate for the coloring was like $40 a page. They didn’t have a painted page rate at the time. So I was doing all that work for essentially nothing because I needed to do it, I wanted to do it. From working with Frank’s scripts to laughing my head off to being inspired and excited and knowing that whatever he was going to throw back at me was going to inspire me further. It really helped to make it about the work… because it all got turned back into the storyline. It was a very creative environment — Bill Sienkiewicz, interviewed by Comic Book Resources