









by Isabella Morawetz










Saga Covers #1-24 by Fiona Staples








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‘Printemps / Spring’ by Elisabeth Sonrel, ca. 1900

La Femme au sofa, 1893, Alexis Mérodack-Jeanneau. French (1873 - 1919)

Flute Concert with Frederick the Great in Sanssouci Adolph Menzel, 1850-1852

Forging the Shaft John Ferguson Weir, 1874-1877

Henri Regnault, Salome (s.d., 1870), Met

Parody of the procession of a Korean Ambassador by Kitagawa Utamaro, circa 1797-98

Joshua Reynolds - ladies waldegrave

Andrew Remnev “My paintings are distinguished by attention to detail and meticulous decorating a conditional Russian style. Other works are written in a different, more symbolic way. However, they have in common with the first accented by decorative: a careful selection of details, almost laconic, bordering on cheap popular. I tried to convey a sense of wonder, the unique experience of touching the mystery…”

Emile Claus (Belgian, 1849-1924), Le bateau qui passe, 1883. Oil on canvas, 75.5 x 116 cm

rabbit riding a hound with a trained snail of prey Pontifical of Guillaume Durand, Avignon, before 1390 Paris, Bibliothèque Sainte-Geneviève, ms. 143, fol. 165r

Springtime of Life Uemura Shōen 1899 Kyoto Municipal Museum of Art

Girl by a Market Stall, 1906, Charles Wilda

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