Jean-Gabriel Domergue (1889-1962), Woman Asleep (1927), oil on canvas, 73 x 60 cm
Kees van Dongen, Montparnos Blues. 1920
Girl With Blue Veil ~ Gustav Klimt
OGATA Gekkō（尾形月耕 Japanese, 1859-1920） Eboshi-iwa in Chigasaki in Kamakura-Shōnan
OGATA Gekkō（尾形月耕 Japanese, 1859-1920） Moon and Foliage [Album page from a Bird and Flower (Kacho) Book] 1890-1900 Woodblock color print with silver pigment
OGATA Gekkō（尾形月耕 Japanese, 1859-1920） Chrysanthemums by Stream 1890-1910 Woodblock color print
Ogata Gekko (1859-1920), c. 1895
Julius Mordecai Pincas dit Jules Pascin (1885-1930), Hermine David et une Amie, 1914
pierre boncompain
Die Brücke Otto Müller Tanzende (Maschka) (1903)
ab. 1500 Ulm Master - Ursula Grekin
A Particularly Stormy Night by Marianne Ferrer
Lucius Rossi - Young Woman Reading a Letter (1875)
Tom Root Amy in Black
Visit Savage Beast Records for $1 Instrumentals and FREE Beats!
‘Loie Fuller’ - Ugo Valeri (1873–1911)
King Faisal I of Iraq. By Augustus John, 1919
corot, jean baptiste camille - Monk with a Cello
William LaChance (b.1971), Composer (2013), gouache, 12 x 12 inches
A la campagne - Ludovic Alleaume
Virgil Finlay
Elena Markova
Elena Markova
Martin Schongauer - Une vierge folle
Norman Lindsay (1879-1969) - Isabelle and the Duke of Orléans
M. C. Escher, Scarabs (Wood engraving), 1935
Bernard Buffet, Femme au verre de vin, 1955
(by Redmer Hoekstra)
Taras Loboda
Christ Before the High Priest (c.1617). Gerrit van Honthorst (Dutch, 1592-1656). Oil on canvas. The National Gallery. The scene is focused on the burning candle in the centre of the composition, and beside it the arm and raised finger of the High Priest. Under Jewish law his claim to be the Messiah was punishable by death, and the book on the table in front of the High Priest contains the proscriptions of the Mosaic Law
Charles Weed (b.1970) Girl with a Dove, 2010
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Portrait of Anna Victoria of Rohan, Princess of Soubise. Johann Heinrich Tischbein, the Elder (German, 1722-1789) and workshop. Oil on canvas. Due to the restrained color of the image, which is determined by the gray dress with its rich lace trim and the pale green and blue of the loops, the viewer’s gaze focuses on the long, expressive face of the sitter. The design of a lady, seated at a table, who looks up from the book, is a common composition
Girl reading a food rations booklet and taking notes. The American Girl, September 1942. Girl Scouts were working hard on the homefront during World War II, providing are variety of services and promoting citizenship and patriotism during a very difficult time
Pauline, Wife of the Artist (c.1930). Herbert James Gunn (Scottish, 1893-1964). Oil on canvas. Touchstones Rochdale. Gunn went to the Académie Julian in Paris where he studied under Jean-Paul Laurens. Gunn married Pauline Miller, his second wife, with whom he had a son and another daughter. Pauline was the model for a number of his paintings
Theatre Magazine, October 1921. Cover of Margaret Petit by Hap Hadley. Petit was in the opening day cast of Greenwich Village Follies of 1921 which opened August 31, 1921. The original musical ran until January 21, 1922, at the Shubert Theatre, New York, NY
An Interlude. Federico Andreotti (Italian, 1847-1930). Oil on canvas. Andreotti initially studied with Angiolo Tricca, Stefano Ussi, and at the Florentine Academy of Fine Arts. He painted realistic genre and aristocratic scenes, often in dress from the eighteenth century. The elaborate period dress and affected airs give his paintings, sometimes described as Rococo Revival, a retardataire focus
Corporal Elspeth Henderson and Sergeant Helen Turner (1941). Dame Laura Knight (English, 1877-1970). Celebrates two young women in the Women’s Auxiliary Air Force who were awarded the Military Medal for Bravery in recognition of the way they had stayed at their posts after their building received a direct hit. And while Knight has given all due attention to their uniforms, their equipment, and even to a map on the wall behind them, it is their determination and commitment that catches one’s attention
Dancing Odalisque. Eugen Ansen-Hoffmann (Austrian, 1862-1955). Oil on canvas. The word “odalisque” is French in form and originates from the Turkish odalık, meaning “chambermaid."If an odalık was of extraordinary beauty or had exceptional talents in dancing or singing, she would be trained as a possible concubine
A Wounded Danish Soldier (1865). Elisabeth Jerichau-Baumann (Danish, 1819-1881). Oil on canvas. Statens Museum for Kunst. While the woman is reading for the wounded soldier, perhaps her husband or lover, she’s holding a book with one hand and providing comfort while holding his hand
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